The political voice is the subject of the second volume of Sonic Urbanism publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a voice in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in cities. Responses explored vocal contestations and noisy citizenship, technologies that transmit or transform voices, and the ways that sound art and experimental music stage collective voicings.
creative direction and design
Diana Portela
editors
George Kafka and Sophie Lovell
contributors
John Bingham-Hall, Fabien Cante, Grégoire Chelkoff, Ella Finer, Tom Gooch, Eleni Ikoniadou, Kareem Al Kabbani, Alexandra Lacroix, Duncan MacLeod, Gascia Ouzounian, Jonathan Packham, Saskia Sassen, Eric de Visscher and Tom Western
publisher
year
2020
Print copies are available at the Theatrum Mundi website.
also in this series
The political voice is the subject of the second volume of Sonic Urbanism publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a voice in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in cities. Responses explored vocal contestations and noisy citizenship, technologies that transmit or transform voices, and the ways that sound art and experimental music stage collective voicings.
editorial
creative direction and design
Diana Portela
editors
George Kafka and Sophie Lovell
contributors
John Bingham-Hall, Fabien Cante, Grégoire Chelkoff, Ella Finer, Tom Gooch, Eleni Ikoniadou, Kareem Al Kabbani, Alexandra Lacroix, Duncan MacLeod, Gascia Ouzounian, Jonathan Packham, Saskia Sassen, Eric de Visscher and Tom Western
year
2020
Print copies are available at the Theatrum Mundi website.
also in this series
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